Monday, 27 May 2013

Dangerous Junction For Cyclists in Washington

The Times newspaper has been running a campaign to identify the most dangerous junctions within the UK from the viewpoint of a cyclist. They provided an interactive map and encouraged cyclists to pin point their most feared locations. One of the junctions featured is this one on the approach to Washington from Felling, the junction of the A194(M) and the A195 or Northumberland Way. The motorway passes beneath the A195 and there is a large roundabout on that road, with slip roads to the motorway and other exits.

Traffic leaving the roundabout and joining the A195 into Washington has a very limited sight line due to the curvature of the road and a dense planting of mature trees. However, immediately after the roundabout is a pedestrian/cyclist crossing.  People crossing at this point cannot see the traffic coming around the bend, and drivers cannot see the crossing until they are upon it.


This photo shows the trees overhanging the cycle track/footpath. Click on to any photo for an enlarged image.


A cyclist waiting to cross, but she cannot see the oncoming traffic, which often travels at a considerable speed.


Another view of the crossing showing the problem of limited visibility.

This is a heavily used crossing, as it falls on the direct cycle route from Washington to Newcastle, which, at a distance of about 9 miles, is within easy cycle commuting range and uses what are otherwise safe paths or minor roads. It is also used by pedestrians as there is a bus stop directly adjacent to this point, and workers can access the local industrial estate from here.

Local cycle campaign groups have approached the cycling officers of both Sunderland and Gateshead councils, and have also involved local councillors, but, to date, nothing has been done to alleviate the problem. It is not clear who has responsibility for the situation, with the local councils claiming that the Highways Authority are the responsible body. 

From a layman's point of view the solution would seem to be some or all of the following measures: -

1) Relocate the crossing point further from the junction
2) Cut back the trees so improving sight lines
3) Install signs warning drivers to slow down as people may be crossing the road
4) Institute a 30 mph speed limit around the roundabout and to just beyond the crossing.

This doesn't seem to be too much to ask, inaction may result in a fatality.





Monday, 15 April 2013

A&C Ilson Crushers at Work, Beamish Museum

I went along to the Beamish Steam Weekend and even encountered a bit of sunshine on the Saturday!

Along with the replica Rocket and Planet locos, umpteen traction engines and vintage motor vehicles, there was the display by A&C Ilson Crushers road repair gang. Great fun, an unexpected treat!




NEX 6 Probably Pentax 28 and 35mm lenses

Tuesday, 2 April 2013

The Lakes - Alcock Tarn

Whenever there is guaranteed sunshine in the Lake District we try to get over there, and at Easter weekend there was such an opportunity.


 We have often walked along the old coffin road between Grasmere and Rydal Mount, and have passed the footpath sign for Alcock Tarn. On this occasion we went for the 3 mile diversion and climbed up to investigate the tarn. It's a bit of a struggle - the going up - but well worth the effort.



Looking beyond Grasmere towards the Langdale Pikes


Coming down we saw this roe deer on the path, it seemed relatively tame, staying a discreet distance away, but not running for cover.

Sony NEX 6 Sigma 19mm, Pentax 28mm, and Sony 55-210 lenses

Monday, 1 April 2013

Steam Trains

‘The Wansbeck’ special train hauled by K4 61994 The Great Marquess and K1 62005 ran, on Easter Saturday, from Newcastle to Morpeth on the East Coast Main Line (ECML) and then around the old freight lines back to Newcastle, before heading south on the ECML. 

Operating with one loco at each end of the train, reversing was easy, but the sight of a steam loco operating at speed in reverse was a tad unusual.


There is a bit of speed blur here, but I think that adds to the excitement! Heading north on the ECML through Bedlington


Passing Marcheys House crossing


Crossing the Wansbeck


Heading south through Plawsworth. Glorious sunshine, but a strong wind blowing the exhaust over the train.


The Great Marquess running in reverse!

Canon 5DII 24-105L

Thursday, 28 March 2013

Pontop Pike Mast - Snow


It was bitterly cold up at Leadgate this morning, with a brisk easterly, but, when the sun shone, the scene was glorious. I stood for about 10 minutes waiting for the sun to appear; well worth the wait in my view!

I used the old Olympus Zuiko 50mm f1.8 for this shot, and the detail is incredible. It's a rather long focal length for general usage, but I use it whenever I can.

NEX 6 Zuiko 50mm f1.8

Wednesday, 20 March 2013

Sony 16-50 versus Pentax 28mm M f2.8


Is it worth carrying heritage primes rather than use the Sony kit zoom?

Shot as raw files using a tripod and 10 second delay. Developed in LR4, and then PS. 

Click for a larger image.


Overall view


Sony 16-50 at f5.6
Original overall view JPG 10.9MB



Pentax 28mm f2.8 M at f5.6
Original overall view JPG 12 MB

My interpretation. The elderly prime is a good deal sharper and more contrasty in the centre, while the zoom might have a very slight advantage at the edges. The kit zoom is usable, but, if there is the time available, the ancient prime is the better bet! I should have taken out the CA from the Pentax shot, the Sony image was processed using LR's auto profile for the lens. CA is a fixable problem with older glass.

Note that I have provided the processed (from raw) JPG file sizes for the uncropped images. I have found this to be a useful guide to lens performance, but the data needs to be interpreted with care. For example the light has a significant affect upon the result while a very grainy image also produces a high score. Further, I have seen an example of a lens producing an outstanding centre image result and a large file size, but with unusable edges, so you do need to look at the image as well. That said these two shots were taken in similar light, and, from a range of different images, I have noticed that good heritage lenses produce larger files than the standard zoom.

To put this into perspective, I have obtained poorer edge sharpness results at some focal lengths from the expensive but complex Canon 24-70 L f2.8 lens and a 5D camera. 

As I gain experience in using my collection of old manual focus lenses I continue to be impressed by their performance on this crop frame camera, however they are prone to chromatic aberration (CA). This is easily dealt with in Lightroom, but it adds a step to the process. You need to check all those hard edges against a clear sky!

If you are listening Mr Sigma, I want a 16-70 f4 zoom with IS in Sony E mount,  and I will pay good money for such a beast.

NEX 6